The Lightning Thief
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Tuesday, May 14, 2024
Pickup and Photo Call
Monday, May 13, 2024
Notes: 5/12 (as per Stg. Mgmt.)
Wednesday, May 8, 2024
Notes - 5/8
Notes - 5/8
It seems like a lot, but this is the nit-picky, tweaky stuff…we’re past basics. You’re doing incredibly!
Notes for me:
Lighting - Focus the house lights for the side seats
Scenic - Dress the tertiary ladder for masking.
Sound - Isolate the Hum on the Capture The Flag transition
Scenic - Dress the power strip cable on 1LX that is visible
Costume - Chitons to redo: Savy, Felix
Me - Dim the Campfire Slide so it looks like night
Me - Quiet the waves under the lake scene.
Me - Explore a different way to don the Chitons up top
Me - Email the PTAs about the show
Me - Deal with the end of the Ares fight, cue-wise
Me - Stage the Curtain Call and the finish to Bring on the Monsters, and work the opening dance
Aidyn - Fight Call? Weapon Checkout? Late? Can we fix these things?
Actors - Chitons are to be worn with the belt at your natural waist (3 fingers below your belly button), not at the hip
Actors - Chitons should be closed on both sides (to the extent possible). Check with someone before you go out to make sure it’s set. Also, Pantheon should always have masks on Olympus.
Pantheon - You can engage with each other during the preshow…just keep it very heightened and stylized
Arlo - Performance energy from the opening…no uncertainly looking around the stage
Prologue - We need to run the opening several times
Pantheon - Let’s talk about what I mean by ‘intentional, formal movement’....we were very casual a lot
Pantheon - Take some time to practice getting in and out of the Chitons
SMs - We need to spike the 1st chair entrance so that Maddie’s in the light for ‘Kronos’
Noise backstage #1 (I’m trying to decide what the penalty is for every time I hear backstage noise. Shouldn’t ever hear any)
Maddie - You can’t look backwards on the way to get your wings
Elodie - We need to build the Pantheon into the ‘Day I Got Expelled’ cues
Orie - Motivate ‘yeah, I know about that’...don’t rush the cue. Wait for her reaction to your first line.
Asp/El - Good job on Strong, even with the booming surf ๐
Perses - Way too slow on the sword coming out for the Minotaur
Ella - That is a DEATH…everyone, do THAT!
Sabina - Perfect entrance for Weirdest Dream
SMs - Who’s assigned to bring on Percy’s seashell during Weirdest Dream?
Kale - Great job vocally…now really dive into his utter resentment of being stuck here!
Aspen - React to the bullhorn being super ‘loud’ indoors
Kale - Use the bullhorn for ‘NEXT’...and it’s pee-knuckle (pinochle)
Kale - I’d like you to really be specific who you’re singing to on each line! You’re killing it vocally!
Addison - Don’t take your attention from Percy once you enter…focus on the awkwardness, not Mr. D
Oliver - Really talk to him…explain all of this from a place of understanding…help him understand
Maddie - You can’t cross your legs at the knee in a chiton
All - Rushed the Capture The Flag Transition
**On the Capture the Flag transition cue…test the hum in the system
Sabina - Slow down…your interpretation of the lines is spot on.
Costume - Need basketball or soccer shorts for Savy
Fight - Annabeth/Clarisse was rough. Run again.
Shay - What was so funny in the ‘Battle’ fight?
All - You are still hot mic just after the ‘Battle’ fight…no talking
Savy - Much better attitude once you got to the bathroom…absolute mean-girl-jock!
Asp/Bax - Work the water toss…
Savy - Make sure to take Aspen’s sword off
Noise backstage #2
SMs - How do we get Luke a bowl?
Props - We need spoons for everyone…
Campfire Actors - Remember, your bowls are supposed to be full when you’re moving…Elsie, you dumped your stew over your shoulder at least once ๐
Actors - Make strong entrances vocally…lots of tentativeness
SMs - Let’s dress the front row in black fabric
Oliver - Find your end-of-campfire energy when you first meet Percy in the infirmary…it was great!
Laboe - Great Trident sequence
Kale - Don’t start talking until the rain fades out after the Trident
Addison - Slow down…your interpretation of Chiron is working
Kale - You too…slow down 20%
Aspen - Interpret the Latin as if you were saying ‘F*ck off’
Add/Kale - The ‘Reasonable’ joke killed again!
Anja - Practice the Cape
Addison - Don’t start the post-Oracle lines until everyone’s onstage
Aspen - ‘Because HE needs ME?’ Emphasize those words the second time
Aspen - Body energy to match your voice through ‘Good Kid’...and have faith in yourself at the end!
Elodie - Let’s pull the guitars back level-wise by a few points…you have the authority to make those changes live.
Aspen - Make sure to stay in the light for you…make sure the tip of your nose is lit
Remington - Is there a setting on the mics that if you’re quiet they switch modes or switch off
Elodie - We need Pantheon at the end of Good Kid for reinforcement
Chorus - How fully are you singing back there?
All - We are now under show conditions: No talking backstage (including intermission and preshow)
All - We’re doing well, especially when you consider where we were yesterday!!! Keep focused on growing and improving each time out!
Noise Backstage #3 - End of intermission
Costume - We need clothes for the other Furies
All - We need to run the bus explosion
Noise Backstage #4 - After the bus explosion
Costume - Felix’s Chiton is way too short
Athena - Face the other way as the squirrel
Aidyn - Why were you coming out mid-song in Lost, and not with the rest of the Synolo?
Laboe - Leave the lights down until Aunty Em has made it down the ladder
Crew - The Medusa head is visible from the audience…it has to be placed more hidden
Maddie - Justify the circling of Percy
Laboe - Great light timing on the end of the Medusa fight
Pantheon - More formal on Olympus…stylize your bodies; how would a God sit?
Sabina - You almost pulled your knife after the kneeling during ‘Grand Plan’...you have the go ahead to reference it, as you are tough as hell.
Aspen - Great job with Medusa’s head
Ana - Stay focused out as the Conductor…and come out sooner
Synolo - Box Handles!!!
Felix - Wait for ‘1939’ until the music pauses
Orie - Hell of an entrance! Nice work!
Aspen - Don’t stand up quite so fast after ‘Pass Out’ on the bus
Aspen - Sustain your fear at this dream…Grover’s lines are comic, but you’re still shaken
Arlo - Ground your feelings about Thalia…
Actors - Only go to the Light Box from Stage Left
Actors - You can’t crossover behind the scaffolding…go behind the cyc
Actors - You’ve overcome so much, and you’re in a strong place right now…Seriously! Now, look for those moments to invest: Physically in the formal Greek style; emotionally to the reality of their experience in-world
Anja - Yes!!! Big Bathtub hit beautifully!
Elodie - We need the Pantheon in this song too
Anja - Vaticun, not VatiCAN
Arlo/Aspen - More shoe action…sell us!
Arlo - The bag transition to the bolt was perfect!
Sabina - You already solved the problem…if you can’t join the bolt, grip it at the joint and make sure it’s straight
Abby - Hell yeah!!! Nailed it!!!
Ella - Stand up straight on the platform…your knees were weirdly bent
Aspen - Well worked on the bag/seashell business…I bought it!
Asp/Sab - Find a joke in it when Grover says ‘great goatee’...play it off like he’s trying to grow one and failing
Orie - Remember the tweaks to the fight: Slower final swing
Baxter - Can you get down the stairs a bit more efficiently
Synolo - The head needs to come out a bit earlier to go to Poseidon
Bax/Asp - We need to tighten the cues during the dad/son conversation
Pantheon - This is a long haul in that position…don’t lose focus and get slack
Ella - Great mom-ness…until you broke ๐
Aspen - How would you know what’s in the letter until you have it?
Sabina - Great job with ‘Seaweed Brain’...great intent
Oliver - Great ‘bad Luke’ transition at the lake…loved it!
Oliver/Aspen - Do you know what went sideways with the starts in Last Days of Summer
Arlo - Please tighten your return from chasing Luke
Music Notes from Chrisse:
EVERYONE: Great job tonight. You've made giant strides, as Mr. Noel Coward might say.
Please sharpen up the diction. You and I know the story, the plot points, the jokes because we've heard them a million times. The audience doesn't know them, hasn't heard them and has only ONE CHANCE to get them. Help them as much as you can.
Percy (and everyone) - your path through all this singing is going to be conscious attention to your breath and preparation for phrases. If each and every phrase is not fully supported from the beginning and the tone placed up in the head you'll never be able to keep the sound off your vocal cords. Singing on the cords is what will strain and tire your voice and you'll have to push and strain even more to make it to the end. Breath support is ALL.
#1 - Prologue - Percy - m. 47 "what" - you did it correctly but now let's don't let the audience see you counting.
#2 - Sally - don't swallow the word "stepfather". Important character ID
#4 - Dr. D - please pay more attention to the following phrases: "Zeus's favorite wood nymph"; "relationship advice"; "Demeter kids";
Chiron - "Mr. D"
#5 - Percy m. 78 - flat on last note. That's prep, breath and placement.
Diction:
Annabeth: "not a lightsaber" Also, A when describing Percy's ADHD/Dyslexia, etc., please slow down. Hard to get all them big words!
can't remember who says this but: "Zeus's most powerful SONS" needs to be clearer, please
#7 - Camp Song - please make the "offering" gestures more clear and distinct.
#9 Percy - get your breath under you! It's ok to do the last 4 notes in falsetto. It carries just fine with amplification.
#12 - Triad, that middle section of 3 part harmony. Might be worth reviewing at intermission just to get it in your heads again.
#14 - A @ m. 97: It's "They" better wise up this time, not "You"
DICTION:
Poseidon: "It's his SMELL"
Dr. D: "cleaning Harpies"
see you all opening night!!
Well done!
The sing through last night was a huge step forward! And it was great to be able to do it with the band.
Tell your story, clearly, with intent to make sure your audience get it, and you'll be fine!
Listen to the band to make sure your musical entrances are correct and in the right key. Ask Caldwell for help if you are having trouble with any of it.
Diction, diction and more diction!!!!! Get the ends of your sentences up!
Listen to each other in the choral sections. If you can't hear, you are singing to loudly. Allow the run crew to adjust the volume. You don't have to shout - and you shouldn't.
It also helps the audience when they can see your mouths. Be sure to cheat out so 3/4 of your face shows most of the time in 2 & 3 person scenes.
I adore you all and you're doing fabulous work. This hasn't been an easy process, what with all the surprises that came our way, but you've all risen to the challenge.
Finally, REST, EAT, HYDRATE.
Oh...and have fun!!!! See you tonight.
Your pal,
Chrisse the Wonderful
Monday, May 6, 2024
Prologue Dance - Video
(from your fight captain/choreo maven)
Check out this tutorial video on the Prologue dance from your movement team.
Spirit Week Themes
(from the SMs)
spirit
monday: hawaiian shirt day
tuesday: ares v athena day
wednesday: sm day
thursday: miller (!) day
friday: plate day
Sunday, May 5, 2024
Show Week!!!
...and here we go!
Show week is upon us friends! It's time to part the curtains and light the lights!
Here is the lowdown:
#1) Fill out your bio form before end of day, 5/6. It's at THIS LINK
#2) We were short some crew members on Friday. Run Crew: If you're not here on 5/6, I will assume you no longer want to do the show.
#3) Have a schedule!...
5/6 - Tech: Call includes Actors, Management, Run Crew, Costume (out at 630p), Instrumentalists (No Hair/Makeup, House Crew)
We are going to begin with mic checking the actors and loading in the band. After that, we'll start at the beginning of the show and work from cue to cue until dinner break. Dinner break will be at 630p, and will last for 1/2 hour (yep, you guessed it: pizza). Then, we'll dive back into the q2q until we are done, or we hit 1000pm. If we get done before 1000p, we'll run some things; if not, we'll address that on Tuesday
5/7 - Dress 1: Call includes Actors, Management, Run Crew, Costume (out at 630p), Instrumentalists, Hair/Makeup (No House Crew)
There're two possibilities here...a) that we didn't finish q2q and we are called at 400pm to do so; or b) that we did finish q2q, and we are called at 530pm to meet onstage and go into our preshow routine. Dress will be clothing/weapons only (no hair/makeup), but we should practice getting in and out of our chitons/masks. Go is 730p; Notes follow; Release is 1000pm. Don't ask if that means you, because it does! Also, remember: we'll have snacks, but no full meals from here out.
5/8 - Dress 2: Call includes Actors, Management, Run Crew, Instrumentalists, Hair/Makeup, House Crew (No Costume, unless you've decided you want to help run the show)
Basic run of show. I'll be training House Crew during the run-up, so SMs will be leading the prep.
5/9 - Preview: Call includes Actors, Management, Run Crew, Instrumentalists, Hair/Makeup, House Crew
Invited Audience! I'm planning on inviting a group from Rieke up to watch the show. If you've anyone who wouldn't otherwise be able to see the show, please feel free to invite them as well.
5/10 - OPENING!!!
Wheee!!!
- jm
Pickup and Photo Call
Okey Doke, Folks - We are due to take care of a couple of key elements of the production process tomorrow: A Photo Call, and a Pickup Rehear...
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Hey there, everybody - Posted below is a link for the calendar for the rest of the show process. As with every other calendar or schedule, ...
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In ways I can’t begin to describe, thank you! This has been an amazing experience. Humbling to be sure…and you have my most heartfelt thank...
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The Lightning Thief - Monday Tuesday Wednesday Thursday Friday 11 12 13 14 15 400p-630p- All Call - Cast/Crew: -Onboarding -Read-Thru -No R...